On behalf of our client, Affinity is seeking a Technical Writer who will develop written information about the organization’s computing systems that aid in their development, use, and support. Outputs include will include a range of documents to be read by both technical and non-technical personnel across all departments.

At Webflow, our mission is to bring development superpowers to everyone. Webflow is a Website Experience Platform (WXP) that empowers modern marketing teams to visually build, manage, and optimize stunning websites. With AI-driven personalization baked in, Webflow enables teams to significantly boost conversion rates, translating directly into measurable business growth. From independent designers and creative agencies to Fortune 500 companies, millions worldwide use Webflow to be more nimble, creative, and collaborative.

We’re looking for a fixed term (contract-based) Sr. Copywriter to provide services to our growing copy function within the Creative team. This engagement will be coordinated by the Copy Lead and will be responsible for writing engaging, thoughtful copy for a wide range of projects, from our annual conference to product launch scripts.

At Beach.com, we’re searching for freelance pitches focused on beach destinations and coastal getaways across the globe. We’re looking for writers with a deep love and knowledge of beach destinations, so make sure your pitch offers a unique perspective and expertise.

🚨 HIRING ALERT 🚨 

Pro Football & Sports Network is on the lookout for MLB and NHL writers to join the team. The ask is simple. You gotta be a MAJOR fan first and foremost, know the sport like the back of your hand, be passionate about the sports media industry, pay attention to detail, and be a team player. 

If you think you fit the bill, send over your resume and any recent writing samples to cdcunha@profootballnetwork.com and we’ll get back to you as soon as we can.

I am looking for a freelance journalist interested in writing about automotive technology. Message if you are interested.

We’re looking for a Junior Writer who creates original content for BuzzFeed's O&O and/or distributed platforms. This candidate should be comfortable taking on daily assignments and pitching story ideas related to the current celeb news cycle, as well as have the foresight to create evergreen content that serves our readers. We're looking for a real pop culture junkie who's not afraid to poke the hive with some hot takes!

Writers should have a keen eye for finding new and interesting stories happening both on and offline as well as a grasp of the nuanced cultural conversations happening all over the internet. We're looking for people who are fascinated by social media, human psychology, and trends of all kinds. On any given day, you might be researching behind-the-scenes facts and Easter eggs about a trending piece of pop culture, testing out cooking hacks, or making a TikTok explaining a viral news topic.

Junior writers will work with the local Canadian BuzzFeed team — some of the smartest, weirdest, most creative, and most viral creators out there. This is the perfect opportunity for someone interested in pursuing a career in digital media. You won't be running errands for senior staff, or transcribing someone else's interviews, you will be pitching ideas, taking assignments, brainstorming, collaborating, and writing dozens of stories that will be published to BuzzFeed.com and promoted across our social channels. You will also create (or collaborate with team members to create) vertical video (TikTok, Reels, YouTube Shorts).

This position is paid (starting at $25/hour CAD). This opportunity allows candidates to work fully remotely across Canada, but there will also be opportunities to work from our Toronto office.

The News Corp Media Fellowship offers international reporters and editors an immersive, hands-on experience in some of the world’s most digitally advanced newsrooms. Fellows learn firsthand how these top outlets are navigating the changing journalism landscape.  By shadowing reporters and editors across different departments, the fellows gain a comprehensive understanding of how an innovative news outlet operates in the digital age, and bring back new skills to transform their own newsrooms. 

Since 2014, ICFJ and News Corp have partnered to bring journalists from Africa, India, Mexico and Russia to the company’s newsrooms in New York (The Wall Street Journal) and London (The Wall Street Journal’s London office and The Times). ICFJ also organizes expert briefings on journalism trends and press freedom for the fellows. 

More than 1,000 journalists have applied for the opportunity to spend one month at The Wall Street Journal and/or The Times of London.

Advantage|ForbesBooks has an exciting opportunity for a freelance Ghostwriter with experience in book writing and editing. Advantage|ForbesBooks works with top tier business professionals to position, promote, and market them as the thought leader and expert in their industry, community, or marketplace.

The mission of the Ghostwriter is to take a client participating in our ghostwriting program from a book plan to a final draft of a manuscript ready for copyedit. The Ghostwriter will achieve this goal by proactively engaging with our clients, writing and editing the editorial through our ghostwriting process.

Pitching to Dispatch is simple. All we want to know is why our readers should care about your subject, and why you’re the best person to write about it.

Your article might take the form of a reported feature, a long-form interview or an investigation. It might be narrative-driven, or something more experimental. We’re open to pretty much anything — though draw the line at haikus (for now).

But do bear in mind Dispatch’s mission: to tell untold stories about people, places and ideas on the world’s peripheries — all with a double-shot of frontier spirit thrown in.

Are you a journalist with a great idea for a high-impact story that “Follows the Money” but few resources to get it done? The McGraw Fellowship for Business Journalism would like to hear from you.

The Harold W. McGraw, Jr. Center for Business Journalism provides experienced journalists with grants up to $15,000 and the editorial support needed to produce deeply reported enterprise and investigative stories with a strong economic, financial or business angle. You don’t need to be a business reporter to apply — many of our previous Fellows have been generalists, or cover beats such as health care, education or the environment. Others have focused on issues such as economic inequality or corporate accountability.

Given the enormous changes in federal spending and policy priorities now coming out of the new administration in Washington DC, we are particularly interested during the Spring 2025 round of Fellowships in story proposals that examine the impact of these changes.

The upcoming deadline to apply for Spring 2025 Fellowships is April 14, 2025. 

We consider proposals from both freelance and staff journalists in all forms of media — text, audio, photo, and short-form video — and encourage those that combine formats to create a multimedia package. We look for projects that focus on important local or regional topics, as well as those that tackle compelling national or international stories or report on under-covered communities or issues. Journalists from diverse backgrounds are strongly encouraged to apply.

Seeking an experienced Brand Systems Writer (8-10+years) to help us build a full, robust, and highly strategic narrative system that stands the test of time for our B2B fintech company.

You’re an elite brand writer who excels not only at Voice (with a capital “V”), but also has experience taking complex, technical, and often opaque product narratives and crafting an exciting brand voice that’s precise, ownable, and differentiated in the “sea of sameness” that is B2B.

You’re obsessed with details most people don’t even notice — things like the architecture of a sentence, or how a single word can shift perception. You write with the clever intelligence of The Economist, the sly wit of The New Yorker, and the confidence of a true category challenger. Your work doesn’t just define voice—it creates a "smile in the mind" for the reader. It makes them remember you.

If you’re experienced at building brand systems that define how billion-dollar companies communicate, then this is the role for you. Bonus points if you’ve written for deeply technical, highly analytical audiences (think private equity, venture capital, and startups) but still know how to spark emotion. Let's connect!

NOTE: We’re naturally looking for something highly specific in this role. Please only apply with work that allows our team to see your experience at writing cut-through brand systems, with a mastery of voice and tone that underlies every part of your work.

Submit your short-form stories to Spotify Audiobooks, our in house audiobook publisher, for publication consideration.

Here's what we're looking for:

• A novelette of approximately 10,000-20,000 words, written specifically for audio.
• A story that sounds great read out loud, featuring sharp characters, atmospheric settings, and engaging dialogue that leaves the listener feeling something and wanting more.
• Focus on three genres: romance, mystery/thriller, or sci-fi/fantasy (cross-genre appeal encouraged, such as romantasy, dark romance thriller, mystery sci-fi, or psychological thriller). Note: Please do not submit erotica or children's content.

If Spotify makes an offer for your audiobook rights and you accept, Spotify will publish the audiobook. Spotify will pay an advance and royalties, and manage all aspects of the production process. You're welcome to promote, market, and distribute the work in other formats (ebook, paper) and platforms (KDP, Ingram Spark, Kobo, etc.).

The Winter 2025-26 issue of The Stinging Fly, due to publish in November 2025, will have a special focus on the climate crisis, where we will showcase visionary, provocative, and original new work about the climate and the endangered future of our planet. 

We now invite pitches for pieces of creative non-fiction engaging with this topic. Your pitch, which should be submitted through this form, should clearly outline what you wish to write about, how you intend to develop it, and what will make your essay effective, unique or compelling. 

Pitches will be accepted until 5pm, 31st March 2025.

We are seeking a talented and creative Freelance Copywriter for a short-term assignment. The ideal candidate will have a strong background in comedic copywriting and a knack for crafting memorable comedic broadcast TV commercials that resonate and entertain.

The Dublin Review welcomes submissions of fiction and non-fiction previously unpublished in the English language. We do not accept poetry submissions.

We especially encourage submissions from members of groups traditionally underrepresented in literary magazines and other cultural forums.

Our fee scale starts at €300 for pieces with a published word count of 2,500 and under, and increases based on word count.